Andy Leleisi’uao: Kamoan Mine

23 November – 19 April 2020 | Main Gallery | The Hastings City Art Gallery is proud to present KAMOAN MINE, a comprehensive survey exhibition of Samoan / New Zealand artist Andy Leleisi’uao, curated by Ben Bergman. Leleisi’uao is one of the most significant Pasifika artists living and working in New Zealand today.

read more

The Crescent Moon

29 February – 17 May 2020 | Alcove and Foyer | The Crescent Moon: the Asian Face of Islam in New Zealand, gives a face and a voice to New Zealand’s Muslims of Asian descent, who form the majority of Muslims both in this country and in the world as a whole.

read more

Anna Crichton: Ragpicker at 4am, An Indian Journey

14 March 2020 - 23 June | Holt Gallery | Art as social commentary is a feature of Anna Crichton’s work and Ragpicker at 4am is an invitation to reflect on Crichton’s response to social issues in rural India.  Featuring handstitched embroideries, glass beading and wood block printed fabrics, this exhibition is sure to stimulate reflection and discussion.

read more

Flirting with Form: Works by TOI AKO Artists

2 May - 19 July 2020 | Main Gallery | Flirting with form: Works by TOI AKO artists is an exhibition that explores the role of the arts and wellbeing in communities, and its effectiveness in supporting older people to age well. Showcasing works by 13 emerging elder artists aged 56-91, developed over the past eight months as part of Connect the Dots pilot mentoring project, TOI AKO, which is a creative collaboration between older people living in care and practising artists. This exhibition speaks to the reciprocal nature of learning, where artist mentors have shared their skills, encouraging older participants to bring their unique life experiences to shape their own visual language.

read more

Leanne Morrison: Off the Edge

7 December 2019 - 23 February 2020 | Alcove and Foyer Galleries | Leanne Morrison’s practice positions her firmly within the modernist tradition, but extends past this into a consideration of the painting as a material object in and of itself. Her style is representational - but she is representing what art critic Clement Greenberg described as “the limitations that constitute the medium of painting - the flat surface, the shape of the support, the properties of the pigment”

read more